The “100 Voices in the Night”:http://100voicesinthenight.com flash fiction anthology project is gearing up to really get rolling soon. We’ve filled 17 of the 20 contributor seats available, leaving just three openings remaining. So, if you’re interested in getting your name out there and in writing a few stories to add to this anthology, read the “guidelines”:http://open-dialogue.com/blog/2006/09/18/100-voices-in-the-night/ to apply. We’re looking forward to seeing the final product on this and on working together to learn a bit more about the writing industry as we go. It should be an interesting ride.
Ok, I love Orson Scott Card’s new online speculative fiction magazine, “Intergalactic Medicine Show”:http://www.intergalacticmedicineshow.com. The stories are first-rate, the free articles are fantastic, and the extras are a lot of fun.
The biggest gripe I have with it right now? They seem to being major problems actually sticking to a publication schedule. The IGMS is supposed to be a quarterly publication. This means one issue every three months. Since the IGMS launched last October, there have been two – count them – only two issues published. Issue 3’s publication date was pushed back from July to August, then from August to September. Now we’re into October again – one year since the magazine opened its doors – and we’ve _yet_ to see Issue 3 come online.
Much as I respect OSC (he’s my favorite writer and probably my number one influence in my own writing), he seems to be having quite a bit of trouble running a magazine. I wonder how much of this is due to “turning the editorial reins over to Mr. Schubert”:http://www.intergalacticmedicineshow.com/cgi-bin/mag.cgi?do=content&article=about and how much is due simply to poor planning.
Mr. Card, your readers really do want to support your magazine. How about giving them something to actually get behind?
20 writers. 1 anthology. _100 Voices in the Night_. This is the idea that “Ben Marroquin”:http://storymask.wordpress.com/ of “Storymask”:http://storymask.com/ presented to me a couple of weeks ago. Flash fiction has become a popular pasttime of new writers. Websites have sprung up all over the web with stories ranging from 250 to 1000 words, as writers practice their craft and share these short works with their readers.
_100 Voices in the Night_ is a project to create an anthology of flash fiction stories in the science fiction, fantasy, and horror genres. Twenty authors will contribute five stories each to amass a total of 100 flash fiction pieces. Once completed, this new anthology will be sent to a publisher and the first of what we hope to be an annual project will be born. Each story will be short enough to read in a just a couple of minutes, and many of them will provide brief glimpses into the larger universe of each author’s writing.
The goals of the _100 Voices_ project are six-fold:
- To create an original and unique anthology of highly entertaining family friendly stories. To the best of our knowledge, flash fiction is still such a new medium that nothing quite like this has been produced.
- To provide an avenue for authors to get published.
- To provide the authors with a great platform to showcase their talent to a whole new audience, thereby increasing their fan base both offline and online.
- To provide the authors with a viable product that they can offer to their fans and that will supplement their income.
- To provide those authors working on novels with the opportunity to introduce their novel’s world and some of the characters to a new audience.
- To provide the authors with valuable learning experiences and access to a great network of like minded storytellers.
That’s _100 Voices_ in a nutshell. It’s a project that Ben and I are both very excited about. We’re currently in the planning stages and are still inviting authors to join the team. We have several slots open yet, so if you write in the science fiction, fantasy, or horror genres and would like to join the _100 Voices_ team, please send an email to either Ben at benmarroquin(at)sbcglobal(dot)net or Jim at stitzelj(at)gmail(dot)com expressing your interest. Please also include two or three samples of your work. We’ll review your work and if we like what we see, we’ll get back to you with an official invitation to join the team.
_100 Voices in the Night_ promises to be a fun and interesting collaboration with other writers. I’ll keep you posted here as to our progress and when you can purchase a copy of the anthology.
Now I’ve gone and done it. “Flashes of Speculation”:http://open-dialogue.com/fs/ is now up and running. The goal is to provide a place (a home?) for flash fiction in the area of speculative fiction. Sci-fi, fantasy, dark sci-fi, dark fantasy, even horror with a twist of sci-fi or fantasy is welcome. So, if you write in any of these areas and want to share your work and receive feedback, please go check it out. And please advertise to anyone and everyone. I’d like to see this project take off. I don’t know about you, but my appetite for good speculative fiction never gets sated.
What are you waiting for? Go. Write. Submit.
How’s _this_ for a teaser?
It’s the biggest royal ball of the year. Dozens of beautiful couples dance around the floor. The men are all dashing and handsome. The women are all stunningly gorgeous.
Then a woman whose beauty is so radiant that she makes all of the other women in the palace look dull and ugly by comparison descends the grand staircase, bringing the ball to complete halt. The men all want her. The women all hate her.
And the one man who won’t treat her like something to be owned is the only one who doesn’t even notice her.
I think it’s going to be a work of fantasy. Surely there is some sort of magic at work here…
Well, the deed is done. With a budget of $25, I was able to order a single issue each from five different speculative fiction magazines I am interested in possibly submitting work to at a future date. The list of magazines for any and all interested:
- “Apex Science Fiction and Horror Digest”:http://www.apexdigest.com
- “Farthing Magazine”:http://www.farthingmagazine.com
- “The Magazine of Fantasy and Science Fiction”:http://www.sfsite.com/fsf
- “Analog: Science Fiction and Fact”:http://www.analogsf.com/0604/issue_04.shtml
- “Asimov’s Science Fiction”:http://www.asimovs.com/
The first two – Apex and Farthing – I ordered in print. I was disappointed that with the last three on the list I had to suffice with digital copies, since that is the only format that single issues are available for those magazines. (I much prefer actual print over electronic; something about being able to hold the pages in my hands.)
My goal in ordering these is to 1) give myself a fairly broad and diverse range of exposure to the field of speculative fiction as a way of priming the creative juices and 2) to being familiarizing myself with speculative fiction periodicals that would suit my publication goals. It is always highly recommended that fledgling writers become familiary with the sort of fiction that various magazines accept so as not to waste everyone’s time by submitting works of short fiction that are not suitable to that magazine. So, I plan to take the time to read and do the ‘homework’ necessary to hopefully get published.
Now, time for the open poll. These are just five magazines that I’ve found that are interesting to me. I have a handful of others on the side, waiting for more money for the budget. This is where _you_ get to chime in.
What magazines are circulating out there that a writer of speculative fiction might want to add to his or her list of potentials for short fiction submissions?
There are many times during the course of my immersion into the realms of science fiction and fantasy, whether it be reading books, watching shows or movies, etc., when I wish that I could experience aspects of those cultures first-hand. For instance, in the short-lived show _Firefly_, two cultures merged into one when humanity abandoned Earth. The predominant world superpowers at that time were the United States and China. So, when new worlds were terraformed and then populated by Earth’s refugees, it wasn’t long before most inhabitants of this new solar system were bi-lingual, speaking English primarily but switching over to Mandarin in moments of high emotion.
In Stephen Lawhead’s Pendragon cycle, the culture of Britain in the early days after Jesu left his mark on the world was rich with history, symbolism, and faith. The mere image of the cross was enough to spark strong emotional and behavioral reactions in the followers of the Great Light, of the one True God. You can believe that nothing in their faith was taken for granted.
What it comes down to is this – I see in many Americans a shallowness that borders on being depressing. I don’t believe it always used to be this way. Early on in our nation’s history, national pride was treasured, cherished. It was important to be known as an American, important enough to die for, as many did. Today it seems that so many of our citizens are almost ashamed to be called Americans, thinking that to claim such is to be pretentious and arrogant in the eyes of the world. We are becoming American in name only, with so many having no concept of the pride that goes with being called such.
So, too, in our churches and in our faith. We are becoming Christian in name only, and that often only barely. Cultural shallowness has begun to penetrate our minds, our hearts, our churches so that our ministries become less effective, less robust. As both Americans and as Christians, we are losing our culture, those elements that root us in what we are and in what we believe. The cross of Christ has become less of an integral, necessary part of our belief system and more of a digitized placeholder of faith whereupon we look and remark in a distracted manner about how important it is to our faith.
A recent email conversation among some friends has addressed this topic from the perspective of the church’s affluence. The problem posed at the outset of the discussion is that of the presence of “fancy buildings… sound systems, and the musical instruments, and the hundreds of different colors of papers, and the power point programs, and twenty children’s programs and all associated materials.” These are all things that most of our churches today seem to think they require in order to function and minister effectively. We seem to require that our auditoriums be air conditioned and that crying children be removed from the service, that the drums not be played too loudly (or at all) and that the pastor have the appropriate level of pious humility if we are to be expected to worship at all. ((Email correspondence))
There are several things that I believe have contributed to the current state of affairs in our churches. The first is that the increased development of technology has pushed the pace of culture into hypersonic speeds. Information and data travel at a breakneck rate nowadays, and most of us have noticed that life has moved into not just the fast lane but into the ultra-fast lane. We have less time now than we ever did, and what free time we have we fill with activities that are, essentially, needless. We are constantly inundated with more and more information that we must sort through and process, and as a result we have become detached from those things that are truly important, things like God, faith, and family. This is contributor number one to the shallowness of culture.
The second contributor is the shift toward post-modern philosophy. Truth is no longer what it once was. It has become an ethereal entity that cannot be grasped. Indeed, truth has become little more than a vapor, a thing that is seen – and then only just barely – before it is caught up by the wind and blown away. We try to clasp it in our hands so that we may know it, yet it slips through our fingers and goes on its merry way, leaving us wondering if it was ever real to begin with. This is the way popular culture sees truth today, as an insubstantial, ever-changing entity that is unique to each individual. Truth has many faces, so that it may look different to each individual who views it, even changing in form to a single person depending on the circumstances surrounding its pursuit. We are continually losing the notion that truth is, in fact, static and stable, never-changing, steady throughout the ages. The Enemy attacks the idea of absolute truth because those who do not believe in it are merely sheep to be led to the slaughter. The disappearance of absolute truth has contributed to the shallowness of culture and the loss of those things which are most important. Now what is most important is determined by each person privately and may look vastly different from what is most important to the next person.
The third contributor has already been mentioned – the affluence of culture. As another contributor to the conversation stated, it seems that “the more STUFF we have around us, the more FAITH we need.” I do not believe that this is just limited to material possessions, either. I have watched as men fill their heads with more and more knowledge and ‘facts’, information that they learn and catalogue. In so doing they see less and less of God’s presence in the world and in creation and less need for something outside of themselves to provide truth and to make sense of those things that happen that we simply cannot explain. We are an affluent culture, both in the things we _own_ and in the things we _know_. The more things we have, the more we become distracted by them and the less we see a need for God. It is the _things_ that then become important because we must maintain them, maintain a certain way of life, maintain traditions that we have become comfortable with and that continue to make us comfortable. The things take a place of higher precedence, usurping God and pushing faith into the background. We continue to believe that we have faith, but all we are really left with is a dependency upon things that, when taken from us, cause us to come crashing down because, in pushing faith aside, we have struck our own foundation out from under ourselves. The acquisition and collection of things contributes to a shallow culture and a faith that is sorely taken for granted. Things are temporal; faith is not, yet we seem to have gotten the two in reverse.
I find myself yearning after some of the things I read in my fiction, not as a substitute for my faith but as a return to a simpler way of doing things, a way that eliminates so many of our distractions and restores a richness to culture and to faith that has been lost in today’s hustle and bustle of activity. I think perhaps what most appeals to me about Chinese culture, in some ways, is the richness of it, the legacy of history that inspires millions to both national pride and devotion (though even that is being lost as Western culture invades the Chinese borders). There is a power within a national legacy that the cultures of both America and American Christianity seem to lack. We have become shallow people, abhoring and rejecting that which is most important in favor of pursuing those things that are most important to _us_, our selfish and narcissistic ideals. That is what our culture has told us is important, to what and to seek out that which _we_ want, rather than what our Creator God deems important.
A return to simplicity is needed, I think, in order to return us to our roots, so that we may find again the awe of our faith and the power of God in our lives. I believe that the icons of our faith can once again become powerful, no longer taken for granted as just another pretty picture on a wall or a decorative item to be viewed and then dismissed. I also think that simplicity can be communicable, a contagion that can spread through the Church and returning it to a place where the important things are remembered and the unimportant set aside and forgotten.
Yet, I think in order for that to happen, simplicity must first take place within each one of us separately, as we extract those things in our lives that prevent us making the most of the time we have here in this life – the possessions that demand our interest, the activities that require our time, the pursuit of more knowledge and facts that only serve to distract from serving our Lord. It is in the doing and living that makes the most impact on others, that demonstrates that we do not, in actuality, require most of the things we cling to with such ferocity, that we can really be happy and content with less. It is not, and will not, be an easy process, no. But I think more and more that it is a necessary one if we as a Church in America wish to again be salt and light in our culture. We do not yet see that we need less because we are blinded by our own affluence, but there are Christians in many other countries who pray that Christians in America will face the persecution that strips away all the unnecessary things so that we will once again remember Who it is we serve and remember again what business it is we are to be about.
Less is more. Jesus knew this. It is why he taught time and again that for any man to follow Him, he must first give up all he had and then follow Him. Would that we should remember that.
“The Two Lights competition”:http://clarityofnight.blogspot.com/2006/04/two-lights-short-fiction-contest.html is done, the “judging”:http://clarityofnight.blogspot.com/2006/04/winners-announcement-two-lights-short.html completed, and the entries all “indexed”:http://clarityofnight.blogspot.com/2006/04/two-lights-short-fiction-contest_27.html. The objective of the contest was to use the photograph displayed as the inspiration for a work of fiction with the limitation that the work be 250 words or less. A difficult challenge that forced all participants to be very creative, since 250 words is not a lot to work with for the development of a plot. It is, essentially, the lower limit for typical “flash fiction”:http://en.wikipedia.org/wiki/Flash_fiction.
Since I’m sure some of you probably did not click over to check the contest out (and I have had a few requests to share more of my fiction here), here’s my entry:
Ã¢â‚¬Å“Choose the lamp on the left, see visions of the future. Choose the one on the right, taste of true madness for a spell.Ã¢â‚¬Â The croneÃ¢â‚¬â„¢s words burned in the girlÃ¢â‚¬â„¢s mind like festering sores. She held her hands over the lamps but felt no heat from them, despite the frigid temperature of the small chamber. No shadows, nothing to indicate they even sat before her, despite what her eyes told her.
What kind of choice was this? Madness versus prophecy? The choice itself was madness.
Still, she plunged her hand into the light of the left-hand lamp and felt warmth from it at last as it gripped her arm and invaded her body. But then it grew bitterly cold as it wrenched her mind with visions of an impossibly terrible future. She screamed with the pain and terror of it and knew that this was far worse.
Her last thought before she succumbed to the black madness was, I should have chosen the other lamp.
Shuffling steps. A hunched figure in the shadows. The girl was half-curled in a fetal position, eyes wide and unseeing. She could have been dead, but for the tears streaming from her eyes and the trembling lower lip.
Ã¢â‚¬Å“Your problem, girl, is that you have no imagination, no ability to see the consequences of your choices. So very typical. Arrogance of youth.Ã¢â‚¬Â
She spat and the rancid spittle slid down the girlÃ¢â‚¬â„¢s cheek as the crone shuffled back into the shadows.
I completed my second short story last night. It’s shorter than I would have liked – only 1170 words – but it _feels_ finished. And I know from practical experience that when a story feels finished, it’s best to just let it alone. Otherwise, you risk making it less than the tale it ought to be. From here I am going to put it aside for awhile, turn down the heat and let it simmer, and come back to it in a few days or a couple of weeks so I can read it again with a fresh perspective. Maybe it will decide that there _are_ a few more details to add, a couple of things it forgot to mention that will make it a better story. For now, though, it needs to think about it, and when some time has passed, we’ll sit down and talk again and decide where to go from here.
One of the most valuable tips I’ve learned in writing is that when telling a story, you are an actor. Except that in storytelling, you act out every role and get to be multiple characters. I have discovered, though, that writing a megalomaniacal character is not as easy as it might seem. I had to continually ask myself, What would I say? How would I view the world, the universe? What opinions would I have of myself and of everyone else around me? How insane would I be, and would I be aware of my own insanity? No small task, to write a character that sees himself as bigger than life (quite literally).
So, time to move on to the next writing project (or move back to one of projects sitting in the queue). I want to end up with two or three stories that are complete and that I am satisfied with, and then I want to submit them concurrently to different places – I have a couple of SF&F magazines and writing contests in mind. With any luck, I’ll sell one, or at the least, get some feedback. Here’s hoping, at any rate….
Random thought that’s probably an obvious ‘duh!’ statement – the fact that we don’t know nearly everything there is to know about science is the very thing that allows us to write science fiction literature. Pretty obvious statement, I know, but it did occur to me that if we knew everything there was to know about science, about the universe and all its workings, we probably wouldn’t have much left to write about that would be all that interesting. Much of science fiction is based upon what we know, but so much is speculation about what we don’t know. ((Hence, the reason that science fiction is lumped under the heading of ‘speculative fiction’.)) But then again, maybe we would still be able to create interesting science fiction works even if we _did_ know everything, simply because so many of the concepts and principles in science are so big and so awesome that they would continue to wow us, no matter how well we knew and understood them. It’s just that, with the passing of time, new ideas lose their novelty and become ideas that we take for granted. ((See, the automobile, communication technology, etc.))
Fantasy literature has a bit more of a free reign, of course. In fantasy writing we create entirely new worlds, where the rules can be just about anything we want them to be. The fundamentals are pretty hard and fast, of course – we’re required to have human beings in our stories, else we don’t have a common point of reference and cannot understand the principles and concepts contained therein because the landscape would be entirely and utterly alien. ((The same goes for scifi.)) But the rules of magic and power can come under whatever rules we, the writers, can come up with from our own heads. What we know or don’t know about the real world has little effect on what happens, or can happen, in our new world.
Then again, maybe science fiction can do this, too, though possibly at the risk of alienating every hardcore, hard-scifi aficionado on the face of the planet. The only real rule that scifi has to adhere to is that the story centers around some sort of technology that does not yet exist. ((Or one that could _never_ exist.)) Beyond that, it is the author’s choice what actual scientific knowledge the stories embraces, if the story centers on any such concepts at all. Either way, what we don’t know can only help us as authors of speculative fiction to create fantastic worlds where virtually anything is possible.