Monthly Archives: March 2008

Webcomic Site Designs

I’ve been perusing the archives for a variety of webcomics in the last couple of weeks, and I’ve seen a wide range of site designs for these comics ranging from abysmal to superb. There are two things I’ve come across that annoy the bejeebers out of me:

  1. ‘About’ pages that don’t actually tell you anything _about_ either the comic or the artist. One of the things mentioned in _How to Write Webcomics_ is that a webcomic site should have an ‘About’ page that should tell you a little something about the artist behind the work and possibly even a little something about the comic (like its inspiration, evolution, etc.). In two or three separate instances, I’ve clicked on the ‘About’ page for a comic I enjoyed in order to find out a little more about the philosophy behind the comic and in order to learn a little something about the artist, only to find one or two sentences that contain no useful information other than an email address. There’s one I’m reading right now that’s a little bit bent and contains an off-kilter brand of humor that I find rather enjoyable. The thing about it, though, is that I think it would be even more enjoyable if the artist would set the whole comic into some sort of personal context. I can interpret the comics he writes from my own point of view, but I can almost certainly guarantee that it’s going to be different from the artist’s POV, and there are certain of his comics that simply go right over my head because I don’t understand his POV. A more complete and comprehensive ‘About’ page would go a long way to remedying this situation.
  2. Useful archive links in prominent locations on the page. One thing that I hate is reading a the current comic in a webcomic, enjoying it enough to want to peruse the archives from the first one through to the present one, only to find that a) there are no archive links, or b) I have to click into the archives in order to get to the first comic, or c) there is simply no way, even by going into the archives, to get to the first comic. Any good webcomic should four links placed prominently on the front page either directly above or below (or both) the current comic – first, previous, next, last. New readers, such as myself, find those eminently useful in catching up on what’s gone on in the past, and without those links, we are more likely to surf away and never come back. Even having to click into the archives first before being able to click through to the first comic is frustrating. The more clicks you require your readers to go through in order to dig into your comics increases the chances that your readers are going to get frustrated by the experience and leave without ever becoming fans.

I’d say that about half of the site designs I’ve seen for various webcomics are extremely well-done. About half of the remaining comics could use a little tweaking and smoothing out of trouble areas, and the remaining quarter would greatly benefit from a ground-up redesign to make them more reader-friendly. Webcomics should be fun and easy to navigate, and good design is the way to make that happen.

Griefing Hackers

“People like this”:http://www.wired.com/politics/security/news/2008/03/epilepsy ought to be given a taste of their own medicine. (Source: “Boing Boing”:http://feeds.feedburner.com/~r/boingboing/iBag/~3/261133355/griefers-deface-epil.html)

My Art Studio

I spent some time yesterday clearing off my desk because I’ve added some supplies to my art cache. I’m starting to experiment and play around with drawing some new art, inking it, and scanning it into Photoshop to play with colors. Basically, I’m enjoying “Reclaimer”:http://reclaimercomic.com as a webcomic so much that I want to try my hand at actually drawing a comic and producing it on a semi-professional level. Heck, if things work out, I might even be able to make some money at it someday.

Now, I don’t really have room in my office to make a full-fledged art studio, and frankly I don’t really have the money for that yet, either. I’ve just got a handful of new items to let me try my hand at drawing, and if it turns out I’m good at it and continue to enjoy it, then I’ll think about setting aside a little cash to continue expanding my studio.

Prior to this, I’ve had a little sketchbook, a set of drawing pencils, an artgum eraser, and a book on cartooning that I’ve been using to practice and learn. Now I also have a set of staff pens and a bottle of India ink, a larger drawing tablet, T-square and ruler, some additional 5B, HB, and non-photo blue pencils, and a couple of kneaded rubber erasers. You can also see in the second photo a copy of _How To Make Webcomics_, written by some excellent webcomic artists that you’re probably familiar with.

Yesterday afternoon and evening I toyed around with my first inking project and was pleasantly surprised by how quickly the India ink dries and by how permanent it is, even with an eraser going over it. I’ve also learned a thing or three about coloring in Photoshop (thanks, Guigar, et al.!) and am looking forward to adding a few more tricks on that front to my toolkit.

Here at some point I may share a drawing or two I’ve been playing with, rough as they are. And at some point down the road, it seems somewhat likely that I’ll be launching a new webcomic. In the meantime, I’ll be practicing and refining my artwork and having fun with it.

Bitstrips and Spacechips

I’ve really kind of gotten into the whole webcomics culture lately. The more I write “Reclaimer”:http://comic.shamuswrites.com, the more I like the whole notion and business of webcomics. I like to write, I like to play around with visual graphics, and of course, I’m a total Web-head. I’m actually thinking about starting to draw and write another webcomic in addition to Reclaimer. That’s still a thought in the development process, though.

So, I came across something called “Bitstrips”:http://www.bitstrips.com today (thanks to a news post on Boing Boing). I doubt very highly that I’ll ever choose to use Bitstrips as a final comic-making outlet – while being quite flexible, it’s still a bit more limited that what my imagination requires – but it is kind of fun to mess around with. I made kind of a lamely comedic comic today, mostly just to run the thing through its paces:

Feel free to go check it out, and if you end up producing a comic with it, let me know! I’m always looking for some new, quality comics to read.

The Rise of Advanced Cultures

AtlantisI learned a little something new this morning that got me to thinking on an interesting, tangential rabbit trail.

The origins of the lost city of Atlantis mythos can be traced back to the philosopher Plato. He was teaching a lesson on the topic of the ideal society and concocted a discussion between Timaeus and Critias, two fellows who didn’t even live at the same time. ((A contemporary comparison would be concocting a discussion between Einstein and Galileo.)) Ironically, Plato created Atlantis as an example of an evil empire, with Athens being held up as the shining example of the ideal utopia. Plato described Atlantis as being a naval power out beyond “the pillars of Hercules,”, or what is know today as the Strait of Gibraltar, effectively somewhere out in the Atlantic ocean and beyond the then-known regions of the world.

So, this got me thinking – what made Europe so special that, from a technological standpoint, it advanced so much more quickly than the rest of the world? We know from Columbus’ expeditions to the New World that there were people and large cultures already well established in both North and South America. Most of Asia was, likewise, rich with culture and and great thinkers. So what was it that sparked the Industrial Revolution in Europe, which served, in part, to launch the white man ahead of the pack?

There was certainly no shortage of great minds in the rest of the world. For instance, explosives evolved from the saltpetre and black powder of the Arabs and the flash powder of the Chinese and Mongols, but it was the Europeans who took that technology and truly weaponized it. What made the difference? Were the Europeans simply more aggressive when pursuing knowledge, and if so, why them and not some other culture?

What would have happened had the Industrial Revolution first taken place with the Aztecs, in a land that the Europeans didn’t even know existed? Columbus may have been in for a bit of a surprise had he landed on the shores of the New World to be greeted by people handling machines powered by coal and steam. Orson Scott Card actually touches on this somewhat in his book _Pastwatch: The Redemption of Christopher Columbus_, where he rewrites history and brings the Europeans’ technology to the Aztecs and changes the balance of power in the world.

I’m sure the parameters that defined the rise of European power dominance were numerous and complex, but I find it terribly fascinating to think about the “What if?” questions that could have changed the face of the world if someone _else_ had risen to power and technological advancement first. There’s a story or three in there somewhere, I’m sure.

New Apex Digs

Apex Book CompanyIt is done! “Apex Digest”:http://www.apexbookcompany.com has a brand new website! What’s nice about this is that, before, Apex Digest had its own website and then the Apex catalog had _its_ own website. The new website brings these two halves of Apex Book Company together into a cohesive unit, with the addition of some new features, like a discussion forum, mailing list, and RSS feeds for new product announces and Apex Online. Hopefully, in the near future, we’ll also be unveiling some new features and making Apex that much better.

I’ve been living and breathing this project for the last three weeks and have sunk countless hours into the redesign. It’s all been worth it, though, and I’m really happy with outcome. So, feel free to step over and check it out, but be aware that some things are still a little askew. At this point, I’d say the site is about 99% complete, and I’ll be spending some time over the new several days massaging the code and pushing things into proper place.

I’ve had a lot of fun with it, so I’m glad Jason – fool that he is – gave me enough of his trust to take on a massive and important project like this. Go and buy some books, order a subscription to Apex Digest, and keep your eyes on Apex Online. I’m hoping to continue bringing you stories and interviews from notable writers and driving Apex that much closer to global domination.